‘The age of chivalry is gone.’

A discussion of the sense of crisis afflicting the British aristocracy in the late eighteenth century within the military portraiture of Sir Joshua Reynolds

Abstract

During the latter half of the eighteenth century Britain was in her ‘Golden Age’ of empire. From the defeat of the French in the Seven Years War (1756-1763) until the British loss of the Revolutionary War (1775-1783), she claimed herself as the ‘premiere’ kingdom of the world. But during this period, a growing unease prevailed amongst her people. This was social, with an increasing middle-class born of capitalism, economic through her trade and dominance of the seas, and political through the rise of anti-imperialism against the prevailing absolutist monarchy.

In this essay I wish to examine how the sense of crisis in the aristocracy manifested itself in public depictions, namely the military portraits of Sir Joshua Reynolds, and to analyse through the social history of art the pictorial rhetoric that the artist employed for these paintings. I hope to be able to show that the determinations of these aristocratic patrons in asserting ‘heroism’ and ‘civic virtue’ through their portrayals unconsciously exposed their self-conscious condition. Their endeavours in creating a modern, patrician appeal reflected the fractured social and political circumstances of the period into which they desperately attempted to adjust, and maintain power.