George Eliot, the proto-Poststructuralist
The Essential Duplicity of Realism
DOI:
https://doi.org/10.36399/GroundingsUG.5.242Keywords:
George Eliot, Proto-poststructuralism, Duplicity, Realism, Realistic Necessity, Realistic Impossibility, NarrativesAbstract
In this article I argue that there is an essential, but contradictory, duplicity in George Eliot’s realism. Her work is suffused with; on the one hand, the need to represent life as it really is in order to cultivate morality and sympathy in her readership, and, on the other, the impossibility of ever representing reality with language. I explain how George Eliot uses her position at the extremes of this duplicity – between realistic necessity and realistic impossibility – and how she puts it to good use, to such an extent that it informs the narratives and determine the questions they seeks to explore. Basing my argument on, arguably, her three greatest works, I show that the duplicity is only embryonic in Adam Bede (1859), adolescent in Felix Holt (1866) and reaches maturity in Middlemarch (1871-72).
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Copyright (c) 2012 Peter Slater
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