George Eliot, the proto-Poststructuralist

The Essential Duplicity of Realism

Authors

  • Peter Slater University of Glasgow

DOI:

https://doi.org/10.36399/GroundingsUG.5.242

Keywords:

George Eliot, Proto-poststructuralism, Duplicity, Realism, Realistic Necessity, Realistic Impossibility, Narratives

Abstract

In this article I argue that there is an essential, but contradictory, duplicity in George Eliot’s realism. Her work is suffused with; on the one hand, the need to represent life as it really is in order to cultivate morality and sympathy in her readership, and, on the other, the impossibility of ever representing reality with language. I explain how George Eliot uses her position at the extremes of this duplicity – between realistic necessity and realistic impossibility – and how she puts it to good use, to such an extent that it informs the narratives and determine the questions they seeks to explore. Basing my argument on, arguably, her three greatest works, I show that the duplicity is only embryonic in Adam Bede (1859), adolescent in Felix Holt (1866) and reaches maturity in Middlemarch (1871-72).

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Published

2012-04-01

Issue

Section

Vol. V Articles

How to Cite

George Eliot, the proto-Poststructuralist: The Essential Duplicity of Realism. (2012). Groundings Undergraduate Journal, 5, 105-119. https://doi.org/10.36399/GroundingsUG.5.242