Making History

Post-Historical Commemorations of the Past in British Television

Authors

  • Laura Smith University of Glasgow

DOI:

https://doi.org/10.36399/GroundingsUG.1.277

Keywords:

Documentary, The World at War, History, Historiography, National History, Television

Abstract

The postmodernist re-evaluation of historical study has led to an awareness of the value of the moving image to the historian. Film can present us with glimpses of a past independent of discourse and its unique link with reality carries with it inevitable assumptions of authenticity. Yet the selection and manipulation of material by the filmmaker, and the dependence on causality or the establishment of ‘fact’, makes historical documentary as problematic as any other mode of historiography. National history is shaped as national identity, and, ultimately, acts of commemoration say as much about the present as the past.

References

Ankersmit, Frank. History and Tropology: The Rise and Fall of Metaphor. Berkeley, Los Angeles and London: University of California Press,1994.

Auschwitz — The Nazis and the Final Solution. Directed by Laurence Rees. 2005. Digital Versatile Disc.

Baudrillard, Jean. The Gulf War did not take place. Translated by Paul Patton. Bloomington: Indiana University Press, 1995.

Conspiracy. Directed by Frank Pierson. 2001. Digital Versatile Disc.

Elliot, T.S. The Waste Land: and Other Poems. London: Faber and Faber, 1940.

Elsaesser, Thomas. “‘One Train may be Hiding Another’: Private History, Memory and National Identity.” Available from http://www.latrobe.edu.au/screeningthepast/classics/rr0499/terr6b.htm Internet: accessed 30 May 2007.

Houston, Penelope. Keeper of the Frame: The Film Archives. London: British Film Institute, 1994.

Isaacs, Jeremy. See The World at War.

Jenkins, Keith. “What History Is.” In Re-Thinking History. Edited by Keith Jenkins. London: Routledge, 1991.

Munslow, Alan. “Introduction.” The Postmodern History Reader. Edited by Keith Jenkins. London: Routledge, 1997.

Schindler’s List. Directed by Steven Spielberg. 1993. Digital Versatile Disc.

Siebert, Detlef. “Historical Accuracy and the Making of ‘Auschwitz’.” Available from http://www.bbc.co.uk/history/war/history_drama_01.shtml. Internet: accessed 30 May 2007.

Triumph of the Will (Triumph des Willens). Directed by Leni Riefenstahl. 1935. Digital Versatile Disc.

Virillo, Paul. War and Cinema: The Logistics of Perception. London, New York: Verso, 1999.

White, Hayden. “The Value of Narrativity in the Representation of Reality.” In On Narrative. Edited by W.J.T. Mitchell. London: The University of Chicago Press, 1981.

World at War, The. Executive Producer Jeremy Isaacs. London: BBC, Thames Television, 1973.

Downloads

Published

2007-09-01

Issue

Section

Vol. I Articles

How to Cite

Making History: Post-Historical Commemorations of the Past in British Television. (2007). Groundings Undergraduate Journal, 1, 83-93. https://doi.org/10.36399/GroundingsUG.1.277