Conflict and Alienation in Mahler’s First
A Critical Analysis
DOI:
https://doi.org/10.36399/GroundingsUG.9.197Keywords:
Mahler, Mahler's First, Conflict, Alienation, AnalysisAbstract
This article focuses on critically reviewing the current state of analysis of Gustav Mahler’s First Symphony, with reference to score analysis of the work. This article presents the argument that the most coherent interpretation of the symphony can be drawn through analysing it specifically in relation to Adorno’s theories on alienation, conflict, disintegration and truth in Mahler’s symphonies. Many music historians have claimed that this symphony is most coherently interpreted as conveying the narrative of an heroic protagonist triumphing over adversity – this article argues, however, that the opposite of such a narrative is portrayed by the music of this symphony.
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http://gustavmahler.com/symphonies/No1/1st-Movement-Themes-Motifs.html
http://www.bbc.co.uk/dna/ptop/plain/A11690660
http://www.recmusic.org/lieder/assemble_texts.html?LanguageId=7&SongCycleId=108
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Copyright (c) 2016 Emma Loughlin
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