“At its best […] Imagist poetry is about […] the porous threshold between inner and outer, abstract and concrete, the intimate and the glitteringly impersonal” (McGuiness): How does the liminal operate in H.D.’s “Garden” and “Eurydice”, and to what effect?. GroundingsUG. 2018;11:8-13. doi:10.36399/GroundingsUG.11.169